A look on stage and backstage at the cross-dressing cabaret Madame Arthur, the oldest transformist cabaret in Paris, opened in 1946. Threatened with extinction, it has undergone a renaissance since 2015, attracting younger customers by returning to its fundamentals: baroque and queer performers who play with genres and conventions
Joel Saget/Agence France Presse
Main image: French artists Maud'Amour, Grand Soir, Odile De Mainville and Diamanda Callas, members of the transformist Cabaret Madame Arthur, poses at the Cabaret in Paris, France. Photograph: Joel Saget/AFP/Getty Images
Fri 6 Oct 2023 07.00 BST Last modified on Fri 6 Oct 2023 09.27 BST
Open since 1946, Madame Arthur is the oldest transformist cabaret in Paris. It has dominated the French capital’s drag, cross-dressing and trans scene for more than 60 years Share on FacebookShare on Twitter
Ageing and losing money, it closed in 2010 – but in 2015 Madame Arthur bounced back with a heady cocktail of burlesque performances featuring covers of old and new hits, sung only in French Share on FacebookShare on Twitter
A receptionist ready to welcome guests. The comeback was successful thanks to ‘incredible young artists’, ‘trans or not trans, girls and boys’, said Fabrice Laffon, who bought Madame Arthur in 2015 Share on FacebookShare on Twitter
Every Thursday to Sunday, Madame Arthur’s 15 burlesque artists dress up in extravagant costumes for a night of fun and folly Share on FacebookShare on Twitter
Some of the decorations that greet guests. ‘We opted to go back to the roots, a queer cabaret with a unique outlook and unique performers,’ said pianist Charly Voodoo. ‘Word of mouth did the rest’ Share on FacebookShare on Twitter
Diamanda Callas performs on stage. The stars perform pieces from the back catalogue of francophone songs – current favourites are Stromae, Celine Dion and Barbara – and will also try their art on international acts such as Bjork or Michael Jackson, but only in translation Share on FacebookShare on Twitter
When Laffon bought the club in 2015 there was a real chance it would never reopen. ‘It was touch and go,’ he said. ‘But this place’s story just had to go on’ Share on FacebookShare on Twitter